Tag: Hugh Jackman

  • Tail Slate recasts one of the biggest hits of 1977

    Tail Slate recasts one of the biggest hits of 1977

    We recast the classic, 'Smokey and the Bandit'
    We recast the classic, ‘Smokey and the Bandit’

    Four decades ago, a movie hit theaters that soared past the $100 million box office mark.  It spawned sequels in 1980 and 1983 that did well at the box office between them.  No, not Star Wars: Episode IV – A New Hope.  It was Smokey and the Bandit, which finished #2 at the box office in 1977, well behind Star Wars.  And in truth, while the first sequel was a box office success, the third and final (thus far) Smokey and the Bandit film did very poorly.

    The film’s premise stemmed from the fact that at that time Coors beer was not available anywhere in the U.S., east of Texas.  A New York Times article from 1975 explains why it was so highly prized in those states where it wasn’t sold.  “But it is not so much the product as the mystique surrounding it that is fascinating. It seems to have won a reputation as the elixir of beers, the brew of Presidents, a prize to be smuggled into the East the way Americans abroad used to smuggle in contraband copies of Henry Miller’s novels. Paul Newman, the king of beer‐drinking actors, is said to require Coors on ice at all his movie sets. Henry Kissinger regularly brought cases back to Washington each time he made a trip to California.”

    In 1976 while shooting Gator in Georgia, Hal Needham received a gift of a few cases of Coors.  After he discovered the hotel maid was stealing bottles of the brew from his hotel refrigerator, he was inspired to come up with the story that became the film he would direct.

    So, let’s recast this very fast-paced chase film.

    Burt Reynolds played “Bo Darville” a legendary truck driver known as the “Bandit.”

    Burt Reynolds as the “Bandit”

    We’ve chosen Hugh Jackman to take the wheel of that incredibly powerful Pontiac Trans-Am.

    Hugh Jackman with cowboy hat in place, ready to become the “Bandit”

    The term “smokey” was a Citizens Band (CB) radio slang term for any law enforcement officer.  The titular “Smokey” in this film was “Sheriff Buford T. Justice” portrayed by the legendary showman, Jackie Gleason.  Best known for his work on the smash hit TV comedy, “The Honeymooners,” Gleason had some serious dramatic acting chops.  He was nominated for a Best Supporting Actor Oscar for 1961’s The Hustler.

    Jackie Gleason as the titular “Smokey”

    We have chosen the very talented Jim Belushi for this role, although he’ll need some padding to fit into the custom-made size 64 uniforms required for Mr. Gleason.

    Jim Belushi will make a fine Sheriff Buford T. Justice

    When Hal Needham started working on the idea, he planned to do it on a low-budget with country singing star Jerry Reed as the Bandit.  But once Burt Reynolds read the first draft of the script (written longhand on legal pads no less), things changed.  Reed wound up as the driver of the truck, “Cledus ‘The Snowman’ Snow.”

    Jerry Reed as “The Snowman”

    We decided on a successful country singer who has also had an acting career.  Tim McGraw.

    Tim McGraw will play “Cledus Snow”

    Smokey and the Bandit was the film that brought Burt Reynolds and Sally Field together romantically.  Two years later she would star in Norma Rae, bringing her the first of her two acting Oscar wins.

    Sally Field as “Carrie ‘Frog’” in ‘Smokey and the Bandit’

    Who better to play the love interest of a character who lives to drive fast than Olivia Wilde, who did the same in Rush, as the wife of James Hunt (Chris Hemsworth).

    Olivia Wilde and Chris Hemsworth in ‘Rush’

    Don’t forget, when Sally Field first appears on screen in Smokey and the Bandit, she is wearing a wedding dress.

    “Big Enos Burdette” (Pat McCormick, a 6’7″ stand-up comic) and “Little Enos Burdette” (the very talented Paul Williams) are the reason that the Bandit and the Snowman are trying to bring all that Coors beer to Georgia.

    Pat McCormick and Paul Williams in ‘Smokey and the Bandit’

    There is only actor/comedian with the stature to replace Pat McCormick.  6’8.5″ Brad Garrett

    Brad Garrett in ‘The Pacifier’

    We’re going to let you choose which of the following two actors should take on the role of “Little Enos”

    Verne Troyer in ‘Austin Powers: Goldmember’

    Or

    Peter Dinklage in ‘The Boss’

    Last, but certainly not least, we must find someone to fill the big shoes of Mike Henry.  The former NFL star, who appeared in The Longest Yard and Soylent Green, played “Junior Justice” the man left at the altar by “Frog.”

    Mike Henry as “Junior Justice” in ‘Smokey and the Bandit’

    We’re going in a different direction this time around.

    Jason Biggs in 1999’s ‘American Pie’
  • With ‘Logan’ the X-Men universe soars to new heights

    With ‘Logan’ the X-Men universe soars to new heights

    Patrick Stewart and Hugh Jackman in ‘Logan’

    “If peace can only come through killing someone, then I don’t want it” – Hiro Mashima

    Logan is the third film in the X-Men franchise featuring “Wolverine” (Hugh Jackman – Movie 43, Butter), who has been practically invulnerable through all of his previous films.  Now it is 2029 and the adamantium that was bonded to his skeleton is slowly but steadily killing him.

    He, “Professor Xavier (Patrick Stewart – Christmas Eve) and “Caliban” are among the few mutants who have survived a virus intended to end the existence of those who possess the X-gene.  They live in an abandoned industrial facility in Mexico.

    The events that led to Logan working on the U.S. side of the border with Mexico as a limo driver in order to support himself and Professor X are never fully explained to the audience.  We know that Professor X is suffering from seizures.  Logan has to get medicine to prevent the seizures from less than legitimate sources.  Given the dangers inherent in the man with the most powerful mind on the planet losing control of that mind during a seizure, this is important work.

    Logan is sought out by “Gabriela Lopez” (Elizabeth Rodriguez – Side Effects), a nurse who was employed by Transigen as a nurse to care for cloned children who were created with DNA from mutants.  She helped one of the kids, “Laura” (Dafne Keen) escape and they are being pursued by “Donald Pierce” (Boyd Holbrook – Milk, The Host) who is the head of security for Transigen.  Gabriela hires Logan to take Laura to “Eden.”  Eden is supposedly a refuge for mutants near the U.S. border with Canada in North Dakota.

    The money promised by Gabriela would allow Logan to fulfil his current dream solution to the situation he is merely existing in and so he agrees.  But he returns to find Gabriela dead.  So he takes Laura and Professor X and heads toward Eden.  Pierce pursues and what transpires is filled with frenetic confrontations intermixed with moments of major emotional experience for Logan.

    Does Eden really exist or is it a fictional creation of the authors of the X-Men comic books?  Did the other children that fled the Transigen facility make it there?  Is it a safe place?  All of these questions and more are answered during the journey there.  There is also an encounter with a nice family along the way which serves to show Logan there are reasons to want to live.

    Dafne Keen in ‘Logan’

    Over the past 17 years Hugh Jackman has been portraying the Wolverine and his work in bringing this character to life on the big screen has improved with each film.  If this is to be his finale in the role (and no matter what happened in this film, anything is possible in the X-Men universe), he went out giving his best.  If there is a way for Patrick Stewart to give a weak acting performance, I’m not aware of it.  Even when reading the novel “A Christmas Carol” for the old Mark and Brian morning drive radio program in L.A., he was brilliant.  He is here as well.

    The battle scenes between the Wolverine and perhaps the most difficult opponent he has ever faced off against are worth the price of admission alone.  There are a few “scratching your head” moments in the finale but they are the only minor flaw worth of mention.  Long live Logan.

  • ‘X-Men: Days of Future Past’ proves this franchise has a bright future

    ‘X-Men: Days of Future Past’ proves this franchise has a bright future

    Michael Fassbender, James McAvoy and Hugh Jackman in 'X-Men: Days of Future Past
    Michael Fassbender, James McAvoy and Hugh Jackman in ‘X-Men: Days of Future Past

    The seventh film in the X-Men series, X-Men: Days of Future Past is set in a not too distant future where mutants and the humans who are helping them find themselves being hunted to the verge of extinction by “Sentinels.”  These are sentient robots created by “Bolivar Trask” (Peter Dinklage).  Thanks to the ability of “Kitty Pryde” (Ellen Page) to shift someone’s consciousness backward in time, one group of mutants is keeping one step ahead of the Sentinels.  This group hooks up with “Professor Xavier” (Patrick Stewart) and “Magneto” (Ian McKellan) who have come up with a plan.  Send the mind of “Wolverine” (Hugh Jackman) back in time to 1973 to prevent the murder of Trask by “Mystique” (Jennifer Lawrence).  His murder made him into the perfect martyr to serve as a reason to wipe out the mutants, and Mystique’s capture in the aftermath of his death gave them her mutated genetic structure; allowing the Sentinels to be engineered to deal with any mutant powers.

    Only Wolverine, with his incredible healing powers, can handle being sent that far back in time.  He awakens and must find the younger Xavier (James McAvoy) and Magneto (Michael Fassbender), who along with the young “Hank McCoy” (Nicholas Hoult), will try to stop Mystique from killing Trask.  First they have to break Magneto out of the prison cell where he’s being held, with the assistance of “Quicksilver” (Even Peters).  Meanwhile as this is going on in the past, the Sentinels are closing in on the mutants in the present, setting the stage for an epic battle sequence.

    Jennifer Lawrence is "Mystinque" in 'X-Man: Days of Future Past'
    Jennifer Lawrence is “Mystinque” in ‘X-Man: Days of Future Past’

    What makes the Marvel branded action films so successful is that the people behind the scenes really understand the product.  Here they have an ensemble cast film with an amazingly talented company of actors.  Jennifer Lawrence, Halle Berry and Anna Paquin are all Oscar winners.  Ian McKellan, Michael Fassbender, Hugh Jackman, and Ellen Page are all Oscar nominees.  Great actors don’t always bring out the best in one another, particularly in action films.  Fortunately, in this film we watch how a great script, the right director and this excellent cast of performers combine to make a stellar film.  The acting, action and ambience are all perfect.

    Sadly there just isn’t time to develop the newest mutants to come to the film franchise, like “Blink” (Fan Bingbing), “Bishop” (Omar Sy) and “Sunspot” (Adam Canto).  Hopefully we will learn more about them in the present time in future sequels.  We do get humor in just the right places, with the perfectly deft touch of Bryan Singer.  The authenticity with which the year 1973 is recreated is spectacular, right down to the sound quality of Roberta Flack’s haunting song “The First Time Ever I Saw Your Face.”   Homages to the earlier X-Men films can be found and yes, we get the obligatory post-credits scene which I will not spoil.

  • ‘Prisoners’ will captivate you

    ‘Prisoners’ will captivate you

    Hugh Jackman as "Kelly Dover" in 'Prisoners'
    Hugh Jackman as “Keller Dover” in ‘Prisoners’

    It may be the worst moment in a parent’s entire life.  When it becomes clear that their young child who is missing has probably been taken, the emotions are off the scale.  That is what makes Prisoners such an excellent film.  The writer and director have given the four actors who deal with this situation an almost ideal setting to display the range of feelings they are experiencing.

    “Keller Dover” (Jackman) and his wife “Grace” (Bello) are taking their kids “Ralph” (Minnette) and “Anna” (Gerasimovich) to Thanksgiving dinner at the home of their neighbors, “Franklin Birch” (Howard) and his wife “Nancy” (Davis) and their two kids, “Joy” (Simmons) and “Eliza” (Borde).  It’s a nice evening, a relief for Keller whose construction business is struggling.  Anna and Joy want to go out and play and when they don’t return, panic sets in.

    prisoners1
    Viola Davis, Jake Gyllenhaal and Terrence Howard in ‘Prisoners’

    That’s when Ralph remembers the two girls were playing next to and on a RV that was parked right outside the house.  Keller and Franklin go looking for it but it is nowhere to be found.  “Detective Loki” (Gyllenhaal) responds and soon the RV is located.  “Alex Jones” (Dano) tries to flee but is caught.  It turns out that he has a very limited IQ and in spite of looking like a prime suspect, he is released.  Unconvinced of his innocence, Keller Dover decides he will do whatever he must to get Alex to confess and disclose where the girls are being held.  Alex lives with his aunt, “Holly Jones” and Keller visits her in an attempt to coerce her into making Alex talk.  She is less than helpful.

    While Detective Loki is pursuing each and every lead, obsessed with not ruining his record of solving every case he is assigned, Keller kidnaps Alex and begins torturing him to obtain the information he is desperate to get.  Things take stranger and stranger turns after that.

    Hugh Jackman and Paul Dano in 'Prisoners'
    Hugh Jackman and Paul Dano in ‘Prisoners’

    The writing is terrific here.  So is the acting.  You can see every feeling that Keller, Franklin and their wives are going through in both verbal and nonverbal communication from the moment the girls disappear.  Fans of “the Wolverine” will recognize the same kind of commitment to achieve a goal in Keller, but otherwise this is a new and very different character for Jackman.  The issue of how to deal with the rights and wrongs of doing whatever needs to be done to save your child is handled deftly here.

    Prisoners is a movie that holds its audience captive throughout and there’s no point in even attempting to escape the auditorium.  Sit back, relax and enjoy.

  • ‘The Wolverine’ scratches, claws and fights to succeed and does

    ‘The Wolverine’ scratches, claws and fights to succeed and does

    Hugh Jackman bares more than his claws in 'The Wolverine'
    Hugh Jackman bares more than his claws in ‘The Wolverine’

    For the sixth (and certainly not last) time, Hugh Jackman has donned the twin sets of adamantium “claws” of “Wolverine”, aka “Logan” although he was born James Howlett.  The Wolverine takes place following the events of the 2006 film X-Men:  The Last Stand.  Logan is living alone near a remote town in the Yukon.  He comes to town to take care of something and encounters “Yukio” (Rila Fukushima).  She has been searching for him at the behest of “Ichiro Yashida” (Haruhiko Yamanouchi).  He is the head of the largest corporation in Asia and it turns out that Logan saved his life during World War II.  Yashida is dying and wants to thank Logan for the life he has led, and to give him a gift.

    Yashida claims his company has developed the ability to take Logan’s healing power and transfer it to someone else.  Then he would no longer heal rapidly, would age normally and then could die.  Logan seems ready to die, as he has dreams in which “Jean Grey” (Famke Janssen) appears and tries to entice him to join her in the afterlife.  But he refuses the offer and Yashida dies.

    At the funeral Yashida’s granddaughter “Mariko” (Tao Okamoto) is kidnapped by Yakuza but Logan intervenes and rescues her, aided by the martial arts skills of Yukio and by “Harada” (Will Yun Lee), a member of “The Black Clan”.  They are ninjas who have served the Yashida family for seven centuries.  Eventually Logan and Mariko hide out at a family home.  During the struggle to save Mariko, Logan was wounded and discovers that his almost instantaneous healing power isn’t working.

    The woman who was serving as Yashida’s oncologist is really a mutant named “Viper” (Svetlana Khodchenkova) who wields all sorts of poisons (and she’s immune to all poisons) and is also an expert in biochemistry and physics.  She has plans, Harada has plans, Mariko’s father “Shingen” (Hiroyoki Sanada) has plans and the ultimate outcome involves major stakes.  They include control of the Yashida Corporation and whether or not Mariko will live.  Can a weakened Wolverine save the girl?

    James Mangold directs a fine script from writers Mark Bomback and Scott Frank.  While fans of the franchise have witnessed much of the Wolverine’s journey, they are treated to more information and further growth of the character.  Given that his powers, if restored, guarantee a very long life for him, he must find a purpose for that life.  This portion of the story is very well told.

    Jackman is a major talent and he seems to improve in this role with every film.  Most of the rest of the cast is new or nearly new to American film but they carry off their parts with panache.  Particularly the two main women in Yashida’s life, Mariko and Yukio.  Choosing Yukio as the granddaughter’s name is an interesting choice, since it is a name usually associated with Japanese men.

    Good acting, a strong story and tremendous fight/action sequences make The Wolverine a ‘must see’.

  • 43 reasons to NOT bother seeing ‘Movie 43’

    43 reasons to NOT bother seeing ‘Movie 43’

    Naomi Watts as the mother home-schooling her son in 'Movie 43'
    Naomi Watts as the mother home-schooling her son in ‘Movie 43’

    In case it matters, the following contains spoilers.  Lots of spoilers.  If you want to avoid the spoilers, don’t read any further.  Did I mention there are spoilers?  Okay, here goes:

    Reason 1.  There just aren’t enough laughs in Movie 43.

    Reason 2.  Low-brow humor is fine, until it goes just too low.

    Reason 3.  The moments when the temptation to get up and demand a refund becomes almost overwhelming.

    Reason 4.  Sometimes the old adage that too many directors and writers spoil the movie is at play here.

    Reason 5.  There are much better uses for one of Halle Berry’s breasts than to dip it in guacamole.

    Reason 6.  What idiot says “dare” on a blind date with a hot woman?

    Reason 7.  When George Clooney turns down a project, that’s a clear sign it is going to stink.

    Reason 8.  When Richard Gere tries to get OUT of a project, it’s going to really stink.

    Halle Berry's breasts are worth more than a bad joke
    Halle Berry’s breasts are worth more than a bad joke

    Reason 9.  There’s something wrong with animated male cats masturbating like human males.  It’s just wrong.

    Reason 10. Even with the face and body of Hugh Jackman, there’s no way a woman like Kate Winslet would have anything to do with a man who has a pair of balls dangling from his throat.

    Reason 11. The pubic hair in the food bit has been done to death.

    Reason 12. Mentally messed-up teen boys don’t make fake girlfriends out of mops, they buy blow-up dolls.

    Reason 13. Even if she asked, would you “poop” on Anna Faris?

    Reason 14. Most of this movie’s target audience can’t spell coprophiliac.

    Reason 15. Even if you were dumb enough to say yes to Anna Faris, you wouldn’t eat a bunch of Mexican food and then take a laxative before going to fulfill her fantasy.

    Reason 16. While the iBabe is hot, a portable MP3 player that weighs over 100 lbs won’t sell well.

    Oh, Richard Gere, what were you thinking?
    Oh, Richard Gere, what were you thinking?

    Reason 17. Didn’t “Dukes of Hazzard” the movie version prove that Sean William Scott and Johnny Knoxville don’t make a good pairing on screen?

    Reason 18. Ten years of outright rejection by movie studios is another clear sign of an impending stinker of a movie.

    Reason 19. We should have believed Richard Roeper when he said “Movie 43 is the Citizen Kane of awful.”

    Reason 20. Who is going to buy Greg Kinnear as a guy named Griffin?

    Reason 21. Movies that make reference to Howard the Duck automatically suck.

    Reason 22. Going back to the balls hanging from Hugh Jackman’s neck, Kate Winslet on a blind date?  Really?  That requires serious suspension of disbelief.

    Reason 23. We’re supposed to believe that a Hollywood studio security guard will let Dennis Quaid onto the lot in return for an unwanted blow-job?

    Elizabeth Banks, you should be horrified
    Elizabeth Banks, you should be horrified

    Reason 24. No one will ever believe that Terrence Howard’s team would let the white team score even one point.

    Reason 25. Josh Duhamel as a man named Anson?

    Reason 26.  In what universe would a woman who looks like Emma Stone be dating Kieran Culkin playing a dork?

    Reason 27. Only one person is working the graveyard shift in a busy 24 hour grocery store?

    Reason 28. Okay, the cooling fan in the vagina of the iBabe was moderately funny.

    Reason 29. There is no one named Abrahams or Zucker connected with Movie 43.

    Reason 30. The Kentucky Fried Movie was hysterical.  Movie 43 was not.

    Reason 31. Adam Sandler is nowhere to be found.

    Hugh Jackman had balls... literally... for being in this flick
    Hugh Jackman had balls… literally… for being in this flick

    Reason 32. There’s nothing sexy or funny about a mother trying to seduce her teen son as part of home-schooling.

    Reason 33. Uma Thurman as “Lois Lane” and Kristen Bell as “Supergirl”?  That just doesn’t make sense.

    Reason 34. Okay, Batman giving Robin a rough time while Robin is trying to meet a woman on a speed-date is moderately funny.

    Reason 35.  The Penguin and the Riddler?  Can’t we get some funnier Batman villains like Egghead or King Tut?

    Reason 36. There’s nothing funny about a teen girl’s first period.

    Reason 37. Cursing leprechauns and a fairy that does blow-jobs for gold coins?

    Reason 38. Studio heads don’t carry bigger guns than manic screenwriters trying desperately to sell a movie.

    Kate Winslet must still be wondering why she appeared in 'Movie 43'
    Kate Winslet must still be wondering why she appeared in ‘Movie 43’

    Reason 39. Guys who get hit by cars don’t “poop” all over the road in mass quantities.  Even if they stuffed themselves with Mexican food and drank laxatives.

    Reason 40. When a woman asks you to “poop” on her, is she really going to demand foreplay that doesn’t involve feces?

    Reason 41. You don’t want to help the poor soul who approved spending $6 million on this crap.

    Reason 42. When a movie grosses less than $1,000 per screen in its second week of release, that’s a clear sign.

    Reason 43. You can use the money you would have spent on this dreck to rent The Kentucky Fried Movie and have a lot more fun and laughs.

  • ‘Les Misérables’ hits notes both sweet and sour

    ‘Les Misérables’ hits notes both sweet and sour

    Cosette (Amanda Seyfried) and Marius (Eddie Redmayne) find love in a France at war with itself in 'Les Miserables'
    Cosette (Amanda Seyfried) and Marius (Eddie Redmayne) find love in a France at war with itself in ‘Les Miserables’

    It’s simple. You’re either for or against Les Misérables, the epic musical that broke records on the London, New York, and regional stages around the world. In an exercise of hubris, bravery or naïveté, Tom Hooper, his King’s Speech Best Director Oscar still in possession of its original sheen, has elected to helm the long-awaited film adaptation. Full disclosure: I’m a lover of the show’s music and performance opportunities, and a hater of its book, full of contrivance and unearned relationships. I dreamed a dream that that Hooper could be the man to use this adaptation as an opportunity to clean up some of the narrative debris from the show. Alas, I was on my own in that hope.

    Jean Valjean (Hugh Jackman) finds redemption by raising young Cosette (Isabelle Allen)
    Jean Valjean (Hugh Jackman) finds redemption by raising young Cosette (Isabelle Allen)

    Misérables, is, of course, itself an adaptation of the 1862 Victor Hugo novel in which intertwining lives from all the classes were affected by the 1832 student uprising. The stage show, originally directed by Trevor Nunn and John Caird, featured the music of Alain Boublil and the composer Claude-Michel Schönberg (with English-language lyrics by Herbert Kretzmer), and the music – pabulum to some, haunting ethereality to many more – represented something of a watershed. It’s noteworthy that while the show arrived at the tail end of musical theatre songs receiving radio airplay, Misérables remains the one show ever to have had not one, but two numbers (“I Dreamed a Dream,” “On My Own”) performed live on The Tonight Show With Johnny Carson, as significant a measure of the show’s reach as the millions of tickets, recordings and translations it received.

    In addition to the two aforementioned musical numbers, other beloved tunes include “Stars,” “Bring Him Home,” “Empty Chairs at Empty Tables,” and “One Day More.” The music could be accused of being mawkish (are you surprised? The show’s title literally translates to “the miserable people,” but Nunn and Caird’s stage production married spectacle and novel techniques – a revolving stage, a barricade forming itself before our eyes – with the emotion of the show’s songs and plot points to create a fully dimensional experience. The tableau of having the entire ensemble march in unison created a sense of solidarity despite their individual suffering. Giving time for the live orchestra’s music to swell and allowing for audience applause created a call-and-response sensation that made Misérables a rousing, soaring experience.

    Samantha Barks' Éponine' deserved more attention than she gets in 'Les Miserables' by both the man she loves, and the film's director
    Samantha Barks’ Éponine’ deserved more attention than she gets in ‘Les Miserables’ by both the man she loves, and the film’s director

    Hooper has embarked on a semi-stunt with his much-ballyhooed decision to have his actors perform live instead of lip-syncing to studio recordings (Note: Peter Bogdanovich and Alan Parker have also done this, in At Long Last Love and The Commitments, respectively; stage cast recordings have also always done this.) It’s much ado about rather little. The verisimilitude of getting to hear actors reach for an occasional breath doesn’t add much dimension, but Dominic Gibbs’ sound design is pristine and it allows several of the film’s trained musical performers, like Samantha Barks as Eponine, daughter of crooked innkeepers the Thénardiers (Sasha Baron Cohen and Helena Bonham Carter, both returning from Tim Burton’s Sweeney Todd and channeling much of that film’s dark humor), Aaron Tveit as Enjolras, the leader of the revolution, and Eddie Redmayne as Marius, a conflicted student caught between his beliefs and newfound love for the blandly sweet Cosette (a tremulous, wide-eyed Amanda Seyfried), to emphasize the power of the music. Two child actors, Isabelle Allen and Daniel Huttlestone, are also naturalistic and moving.

    I have been kind so far. But at some point, like Marius choosing red over black, I, too, must show my true colors. Hooper has taken the show’s onstage warmth and turned it cold by filming the good guys in Misérables in loving, tight close-up, often at odd acute angles, and the baddies with a distorted fisheye lens at wide angles to accentuate their grotesquery. Occasionally, cinematographer Danny Cohen will zoom out of Eve Stewart’s claustrophobic production design just to remind us that we are indeed, watching a movie. The result isn’t just elementary and redundant. The isolated close ups preserve their status as distinct lonely hearts in our minds eye. They cut characters off from one another right when they should appear together, a whole greater than the sum of its parts.

    Russell Crowe delivers an off-key performance as Javert
    Russell Crowe delivers an off-key performance as Javert

    Yes, it’s a tall order to adapt Misérables. The source material comes with its own flaws, and many of its assets come geared to the stage. But the show, so full of muscle mass onstage, feels larded down on screen. Hooper’s film is glacially paced yet still hurtles through event after event, making it difficult for anything to resonate and raising many questions for those unfamiliar with the show’s plot, condensed here by William Nicholson. What motivates the students’ rebellion in the first place? Why is Marius so instantly smitten with Cosette after just one look? Why, too, does the main martyr Jean Valjean (a struggling Hugh Jackman) view Marius as a surrogate son? And why is police inspector Javert (Russell Crowe) so zealously devoted to his pursuit of Valjean, even after the former convict has become a respectable, productive businessman and mayor?

    Some of Hooper’s choices could have distilled the intersecting stories instead of making them murkier. And when it comes to the starrier members of his cast, Hooper doesn’t so much as direct his actors as merely unleash his camera on them. An off-key Crowe offers no illumination, and Jackman, one of the harder-working performers in Hollywood, is defeated by Hooper’s mandate that he sing in quavering half-voice instead of his glorious full register.

    Anne Hathaway's performance screams 'notice me' as she belts out 'I Dreamed a Dream' as the doomed Fantine
    Anne Hathaway’s performance screams ‘notice me’ as she belts out ‘I Dreamed a Dream’ as the doomed Fantine

    Of course, one gets the impression that some of these choices were beyond Hooper’s control. Misérables reeks of studio interference. How else to explain the scenic re-shuffling that enhances Fantine’s (Anne Hathaway) presence and diminishes that of Eponine, who should remain the tragic face of the entire work? The reversal of fortune that sends her from spoiled Thénardier daughter to broken-hearted street urchin was the most palpable example of life’s cruelty in both Hugo’s novel and the stage production. Removing her from a critical late scene to give the saintly Fantine more time is an outright flaw. Disposing of that insults the audience and makes for a lesser release at the end, not mention belying a not-too-hidden agenda regarding Hathaway’s awards hunger.

    Samantha Barks' Éponine should have been the face of 'Les Miserables' tragic tale
    Samantha Barks’ Éponine should have been the face of ‘Les Miserables’ tragic tale

    And Hooper’s one-take on Hathaway’s “I Dreamed a Dream” stands out from the others in the film, which is otherwise full of motif reprisals and rhyming couplets. That, combined, with Hathaway’s heavy-handed delivery (she pushes too hard so often – for example, on the climactic lyric involving “what it seeeemed” – and on a song this precise, that matters), it puts the audience at an immediate remove. It’s a stark contrast to the work of everyone, including Allen and Huddlestone. The celebrity seems intent on stepping outside the performance to say “See what I’m doing here!” (see also Sean Penn in I Am Sam); it’s her version of a Victor Cruz touchdown victory dance. Everything about her labored effort screams “Notice me!,” but the point is that her character is already resigned to the fact that no one ever will. Even the attention-starved Kardashians would watch her and think, “That’s over-the-top.”

    Much of this criticism is for naught. The die-hard fans will love the chance to hear their beloved songs again and fresh audiences may love to see their stars sing, regardless of their effect. But despite the characters plights, Misérables should remain an uplifting experience. In opting for a slavish realism, Hooper has weighed the musical down in grime, grit and grimace, and the result is hollow, lacking in soul. Dramatic for the sake of being dramatic, a too-serious Misérables forgets the importance of being earnest.

  • ‘Butter’ is a brilliantly written film & a joy to watch

    ‘Butter’ is a brilliantly written film & a joy to watch

    Jennifer Garner stars in 'Butter'
    Jennifer Garner stars in ‘Butter’

    Butter is one of those brilliantly written films that is a joy to watch.  Screenwriter Jason Micallef’s script was so good, it won him a prestigious Nicholl fellowship in 2008, one of only five such awards handed out to writers by the Academy of Motion Pictures Arts and Sciences.  Now his script has been brought to the big screen and the finished product is a real winner.

    Jennifer Garner is “Laurie Pickler”, an Iowa woman who is very proud of the fact that her husband “Bob Pickler” (Ty Burrell) has won the State Excellent in Butter Carving Competition for 15 straight years, with amazing sculptures like his “Last Supper” and “Schindler’s List” that are simply breathtaking.  But after fifteen years, the panel of judges feel that he should step down and let someone else have a shot at the glory.

    Olivia Wilde is a sexy stripper in 'Butter'
    Olivia Wilde is a sexy stripper in ‘Butter’

    Laurie doesn’t like this idea.  She believes the championship belongs to her family and if Bob won’t compete, she will.  Hopefully alone, but three other women show up to enter the competition.  “Carol Ann” (Kristen Schaal) is a “friend” of Laurie’s and of butter carving but her talents with a trowel are an unknown.  Then there is “Destiny” (Yara Shahidi) who is a foster child that’s been bounced from home to home.  Currently she’s living with “Ethan Emmet” (Rob Corddry) and his wife “Julie” (Alicia Silverstone) and they’ve made it clear they want to keep her.  She says she isn’t good at anything but it’s obvious she has a gift for butter carving.  And for understatement about the flaws of “white people”.

    The fourth contestant is a woman named “Brooke Swinkowski” (Olivia Wilde) to whom we are introduced when Bob storms out of the Pickler house and goes to a local strip club where she rocks his world.  They move into the back of his van and they’re getting it on when they are rudely and violently interrupted.  Brooke is very angry with Laurie for the interruption and because she didn’t get paid.  So she’s making it her goal in life to ensure Laurie loses this competition.

    Destiny wins the local event but Laurie gets help from her old boyfriend “Boyd Bolton” (Hugh Jackman) a local car dealer and as a result of the machinations, Laurie and Destiny will face off in a carve-off at the State Fair in front of witnesses and so no one can tamper with the event.

    Yara Shahidi charms in 'Butter'
    Yara Shahidi charms in ‘Butter’

    Jim Field Smith’s direction of Jason Micallef’s inspiring script is excellent.  Garner shines as the flawed Laurie Pickler who appears as the perfect wife and partner to everyone, while being a profane Machiavellian sort who will stop at nothing to achieve her goals, because she’s convinced that in the end, all she has is butter.  She’s Sarah Palin but worse and Garner’s portrayal is just hysterical.  Burrell’s hapless Bob, who ought to have “whipped” tattooed on his forehead is also an excellent performance.  Silverstone and particularly Corddry also deliver strong turns as the loving couple who want to take Destiny not just into their home, but into their hearts.  “Ethan” is almost a perfect father.

    But it’s relative newcomer Shahidi as “Destiny” who manages to steal every scene she’s in.  Not just with the wonderful dialogue that was written for the role either.  She is a natural and while she has stated her goal is to be a historian, that would be a waste of terrific talent in the arena of acting.

    Butter is biting satire that entertains throughout.

  • Hugh Jackman gets ripped in first ‘The Wolverine’ pic

    Hugh Jackman gets ripped in first ‘The Wolverine’ pic

    Hugh Jackman in first official photo for 'The Wolverine'
    Hugh Jackman in first official photo for ‘The Wolverine’

    Get ready for a leaner, meaner Wolverine.

    The first official image of Hugh Jackman back in the lambchops has hit the interwebs.

    The Wolverine, set to be released July 26, 2013, is the sequel to the mildly disappointing 2009 flick, X-Men Origins: Wolverine.

    Set in Japan and featuring an impressive international cast (which includes Svetlana Khodchenkova, Will Yun Lee and Hiroyuki Sanada), the film will supposedly be a grittier take on the character. Although Jackman’s Wolverine was the stand-out character in the original X-Men trilogy, his solo shot failed to really capture the character’s tragic nature and origin.

    The sequel, helmed by the talented James Mangold (Cop Land, Walk the Line, 3:10 to Yuma), was originally going to be spearheaded by Darren Aronofsky. His exit, along with the deadly tsunami in Japan, have caused repeated delays to the film.

  • ‘X2: X-Men United’ is better than the original

    ‘X2: X-Men United’ is better than the original

    The mutants are together again, with some new members, in 'X2: X-Men United'
    The mutants are together again, with some new members, in ‘X2: X-Men United’

    It’s rare that a sequel proves to outdo the original, but X2 does pull it off with flying colors. This is chiefly because it does everything that a sequel is supposed to do: Build on original, expand the story, move it forward and make it different.

    Now, doing a comic book film is challenging, but at the same time you are playing in a field that’s already been laid out. The characters have built in stories and arcs from being featured in comics for decades.

    For example, much of what we’re learning about olverine (Hugh Jackman) was spelled out a long time ago in the comic books. Much of what’s displayed about Nightcrawler (Alan Cummings) has been long developed in the comics. The story of Jean Grey (Famke Janssen) has been spelled out in the comics.

    Of course, you don’t want to simply retell stories that have already been told, and X-Men 2: X-Men Uniteddoesn’t do that exactly. But, elements of the story were mined from the comic series.

    The story begins with the introduction of Nightcrawler as he infiltrates the White House in an attempt to kill the President of the United States. We then learn that Wolverine has reached a dead end in his search for his forgotten past, and returns to Dr. Xavier’s School for the Gifted. Jean Grey is suffering from mysterious attacks concerning her telepathic powers, Magneto (Ian McKellen) is still in prison, and a military man (Brian Cox) requests that the President allow him to take down Xavier’s school which he believes is the base of operations for a secret group of mutants.

    There are subplots and other elements which I’m not cover there, because it would probably take me this entire review to explain all that goes on in this story. What impresses me so much about this film — as well as the first one — is how they manage to fit so much into it. The X-Men is unlike most comic book series because it does surround one superhero in particular. With this tale you have a group of heroes, all with unique powers and stories.

    The strength with the X-Men movies are the actors. These films have managed to merge so many amazing talents that they alone life the film above the par.

    Hugh Jackman as Wolverine in 'X2: X-Men United'
    Hugh Jackman as Wolverine in ‘X2: X-Men United’

    Like the first film, Wolverine plays a major part in the story, and the character’s struggle with his own past and his place in the world is still a struggle for him. Hugh Jackman embodies the comic bad boy with perfection. And while his hair still looks ridiculous, they did manage to tame it a bit in a few scenes.

    Rogue, played wonderfully by Anna Paquin, is also included but is not caught up in the central story as in the first. Her story does allow for more development of Iceman (Shawn Ashmore), who is only seen briefly in the first film. The two share a love relationship, but must find a way to overcome Rogue’s inability to come into physical contact with another person without sucking all their energy (kind of making lip-locking a bit of a challenge).

    Of course, the heart and soul of these movies are the two elder statesmen, Patrick Stewart as leader of the X-Men, Dr. Xavier; and Ian McKellen as the evil Magneto. These two help anchor the film, lifting the quality of these films by their mere presence.

    I was very excited by the idea that they decided to bring in one of the comic bookcharacters that I’ve always thought was one of the most interesting — after Wolverine — which was Nightcrawler. I loved his portrayal, which was beautifully brought to life by Alan Cummings. Cummings is a strong actor who is generally found playing creepy, sleazy characters. It was refreshing to see him playing someone who probably has more reason than the others to dislike and distrust humans, but instead feels for them.

    Brian Singer has really managed to deliver two outstanding comic book films, a feat not matched since Superman and its sequel, Superman II (we’ll see in June if Raimi can do it with Spiderman). He did what many thought was impossible, taking a crew of superheroes and building excellent stories that managed to capture the themes of the comic.

    The X-Men 2: X-Men United DVD includes a series of documentaries, many of which focusing on Nightcrawler and his “bamfing” — the term used for his teleportation power, which I thought was a truly beautiful effect. There are also a series of deleted scenes, most of which are pretty lame, to be honest. They don’t add much, and some are simply alternate versions of scenes from the movie that so subtle that you don’t necessarily notice the difference from how it appeared in the film.

    The sexy Rebecca Romijn-Stamos is back in blue (and 'nude') as Mystique in 'X2: X-Men United'
    The sexy Rebecca Romijn-Stamos is back in blue (and ‘nude’) as Mystique in ‘X2: X-Men United’

    The audio commentary featuring Singer and his cinematopher, Newton Thomas Sigel, was also kind of dry. Some commentaries offer funny stories from filming, or insight into how the story developed and so forth. Those are generally entertaining. Then there are the commentaries that do little more than offer technical commentary, which is not terribly interesting to listen to and is generally devoid of humor.

    Sigel does make several jokes throughout the commentary, but most are either ignored and go over the head of Singer. I was actually expecting a good commentary here, but was sorely disappointed. The only interesting thing was that Singer mentioned his stint and brief appearance in Star Trek: Nemesis, adding that he was a big Trek fan.

    Perhaps Paramount should have listened to that commentary, because then maybe they’d ask him to do the next film. With the way he’s helmed the X-Men movies, I am confident he’d be able to put together a film that would be stars above any of the last few outings.

    In the end, I found X-Men 2 to be a terrific addition to this comic book franchise, and actually got me excited about the prospects for a third film.