Tag: Robert Chartoff

  • A film franchise fast approaches forty years and it’s still going strong

    A film franchise fast approaches forty years and it’s still going strong

    Sylvester Stallone as Robert ‘Rocky’ Balboa from ‘Rocky’

    In early December of 1976 a boxing movie was released in the U. S.  It opened with the title character fighting “Spider Rico.”  Today Spider Rico is nothing more than the answer to a trivia question, who did “Rocky Balboa” fight in his first big screen bout.  On the other hand, Rocky is a household name in households all over the world.   Now, it’s Thanksgiving weekend, 39 years later and yet another film in the Rocky universe is in theaters.  Critically acclaimed, the pundits are predicting a Thanksgiving opening record for a non-animated feature for Creed

    How did this happen?  It began with a then little known actor who had an idea for a script.  A script that he told the New York Times that he’d written in less than four days.  A script that would go on to be nominated for Best Original Screenplay at the 1976 Academy Awards.  A script that led to a film that was nominated for ten Oscars and won three, including Best Picture and Best Director.  The original script for Rocky as penned by Sylvester Stallone.  The story of how producers Irwin Winkler and the late Robert Chartoff met Stallone and wound up buying his script doesn’t need to be retold.

    "Rocky Balboa" knocking out "Spider Rico" in his first movie fight, in 'Rocky'
    Rocky Balboa knocking out Spider Rico in his first movie fight, in ‘Rocky’

    Few film characters have statues created in their honor, even if it was originally just a movie prop, but the statue of Rocky from Rocky III still stands to the right of the “Rocky Steps” in Philadelphia.  It’s a popular tourist spot, often used as a backdrop for photographs.  So what makes Rocky such an iconic character?  TailSlate asked William Chartoff who was involved as a producer on Rocky Balboa and Creed, as well as being the son of the late Robert Chartoff.  He said, “in Rocky people see themselves. Good hearted, talented, special, but under appreciated by the rest of society. If only we underdogs, like Rocky, were given that one in a million shot to prove ourselves… which we all feel we deserve. In Rocky this hope is realized.”

    Rocky Balboa has had an amazing character arc through seven films.  Throughout his journey, until Creed, he always had people supporting him.  He had his good friend “Paulie Pennino” through the first six films.  We know he died at some point after that sixth film.  His girlfriend, Paulie’s sister “Adrian” became the love of Rocky’s life and his wife.  She died in the fifth film.  His trainer, Mickey Goldmill, who guided him on the way to the top, to the championship dies during the third film.  Now in Creed, he has no one.  William Chartoff says that at this point, “Rocky is alone and lonely, with nothing more to prove. He is more or less just waiting for the end… to go and to join Adrian. Even Rocky himself seems to believe the story is over. And then along comes Adonis, much to Rocky’s surprise, offering one more journey.”

    Paulie Pennino and Rocky in a scene from 'Rocky III'
    Paulie Pennino and Rocky in a scene from ‘Rocky III’

    One of the things that has also made the franchise work is that Rocky has had an amazing lineup of opponents.  Apollo Creed was the world champion who gave Rocky his title shot.  Fierce fighters who fought epic bouts, they somehow became friends.  More than friends.  It was Apollo who picked up Rocky from the depths of defeat after his loss to Clubber Lang in Rocky III.  It was also Apollo who provided the motivation for Rocky to face the Russian, Ivan Drago in Rocky IV.  Tommy Gunn was a perfect foil in Rocky V and Mason “The Line” Dixon likewise in the sixth film, Rocky Balboa.  Rocky’s opponent in Creed isn’t someone he faces in the ring.  It’s something entirely different and in some ways, a far more formidable foe.

    Rocky is here to stay and I hope we see Adonis Creed in the squared circle again, with Rocky Balboa in his corner.

  • ‘Creed’ goes the distance and delivers brilliance

    ‘Creed’ goes the distance and delivers brilliance

    Sylvester Stallone and Michael B. Jordan in 'Creed'.
    Sylvester Stallone and Michael B. Jordan in ‘Creed’.

    One of the toughest tests a director can be faced with is taking on a film in a franchise that features a truly iconic, larger than life character.  That’s the task writer/director Ryan Coogler (Fruitvale Station) accepted with Creed.  “Adonis Creed” (Jordan) is the illegitimate son of the late “Apollo Creed” (Weathers, seen only in flashback).  Born after the tragic death of his father, Adonis’ mother dies soon after his birth and he has moved from group home to group home before winding up in Juvenile Hall.  “Mary Ann Creed” (Rashad) decides to open her home to her late husband’s son.

    Flash forward to the present and going by the name Donny Johnson, Adonis is enjoying a successful career.  He’s educated and polished and at the same time goes down to Mexico to fight in hole-in-the-wall venues.  Without having worked with a trainer he is an amazing 15-0 and now wants to pursue boxing as a career.  He quits his job and after the son of Apollo’s trainer refuses to train him, take off for Philadelphia.

    The plan is to convince “Rocky Balboa” (Stallone for the seventh time) to train Donny while he continues to keep his legacy as the son of Apollo Creed hidden.  He wants to make it on his own without playing on his father’s name.  But Rocky doesn’t want anything to do with boxing at this point in his life.  Adrian and Paulie are gone and his son is living far away because it is just too tough to live in Philly when you’re the son of a living legend.  Rocky is content to run his restaurant and live a quiet life.  But you know from the moment Rocky first says no, he will ultimately say yes and train the son of his rival and friend.

    Michael B. Jordan and Tessa Thompson in 'Creed'
    Michael B. Jordan and Tessa Thompson in ‘Creed’

    The formula of the underdog being given a shot at a title is present, but done better than in any of the prior sequels to 1976’s original Rocky film.  That movie won three Academy Awards including Best Picture, and it must be noted that Creed is on that level.  When the secret of Donny’s origin is unveiled and he winds up facing “Pretty” Ricky Conlan for the light-heavyweight child, another epic contest in the squared circle is in the offing.  It also wouldn’t be a Rocky franchise film without a compelling love story, this one featuring Adonis and his neighbor “Bianca” (Thompson).  Part of the appeal of this film is that she, Adonis and Rocky are all fighting an individual battle while they work together to give Adonis a shot at his lifelong dream.

    Michael B. Jordan is the titular star of this movie and he is excellent.  But this is Sylvester Stallone’s magnum opus performance.  He’d already proven he has serious acting chops in films like the original Rocky and Cop Land; but in Creed he surpasses anything and everything he’s ever done.  Like others who write, direct and act, it appears that Stallone does his best acting with someone else in charge behind the lens.  That’s not a knock on his ability to helm a film, he’s a terrific director.  It’s just that sometimes you can’t be brilliant both behind and in front of the camera.

    Michael B. Jordan and Phylicia Rashad in 'Creed'
    Michael B. Jordan and Phylicia Rashad in ‘Creed’

    We were already aware of the brilliance of Ryan Coogler from the superb Fruitvale Station.  If his next film is another leap forward as Creed was, I can’t wait to see it.  I’m also impatient to see Creed again.  It’s worth more than one viewing.

    Creed is dedicated to producer Robert Chartoff who passed away in June of this year.  RIP.