‘Pitch Perfect’ hits sour note by striving for being cool than being unique
What this song-filled flick has going for it is a cast that can sing… which they do… again, and again, and again
What this song-filled flick has going for it is a cast that can sing… which they do… again, and again, and again
Make no mistake, ‘The Master,’ as is to be expected by a work from the leading American auteur of his generation, is as mature and confident a motion picture as you’ll find this year.
Ted Seth MacFarlanes foul feature film debut isnt exactly childs play.
Anthony Minghellas Breaking and Entering is less sprawling than his previous movies but equally ambitious.
The W. Somerset Maugham story The Painted Veil gets yet another screen adaptation, this time directed by John Curran.
Richard Eyres brilliant study of a friendship gone awry, Notes on a Scandal features two of the years greatest performances.
Despite some problems there are many pleasures to be found in the screen adaptation of Dreamgirls.
Soderbergh tries so hard to make The Good German feel like an old-style film, that he forgets to make it a good one.
Clint Eastwood’s second look at Iwo Jima this year is a must-see.
Im pleased to say that Oscar in all his rather finite wisdom has done a pretty good job in reflecting the last year in film.