TailSlate proudly presents our recast of… It has been almost exactly 50 years since the late Roger Ebert wrote the following about The Green Berets, John Wayne’s jingoistic film about Special Forces soldiers serving in Vietnam: “The Green Berets” simply … Read more
“Don Martello” (Joseph Gordon-Levitt) is a chip off of the old block in a number of ways. He is grounded. He cares about his family, his car, his apartment, his male friends, his church, the women he sleeps with and most importantly, his internet porn. This is a story of a man obsessed and how he chooses to deal with that obsession will shape his future.
[rating=4]Starring: Daniel Day-Lewis, Sally Field, David Straithairn, Tommy Lee Jones, Joseph Gordon-Levitt, Hal Holbrook, Gloria Reuben, Bruce McGill, Tim Blake Nelson, Jackie Earle Haley and Jared Harris Director(s): Steven Spielberg Writer(s): Tony Kushner, taken partially from the book by Doris Kearns Goodwin
Steven Spielberg’s Lincoln is a narrowly focused look at a critical portion of Abraham Lincoln’s tenure as President of the United States. It is an examination of the events that took place in the aftermath of Lincoln’s re-election in November of 1864 until the House of Representatives passed the 13th Amendment in January of 1865.
Yes, it goes on for a short bit afterward, up until Lincoln’s death by assassin in April of 1865, but the critical matter is what takes place during those very turbulent months until the vote.
A looper is a hired killer. He has been hired by an unseen crime boss 30 years into the future, because when time-travel finally becomes possible, it’s too difficult to easily dispose of a dead body. So this crime boss sent a man named “Abe” (Jeff Daniels) back to the 2040s to hire some assassins. The work is easy, the victim arrives from the future at a specified time, at a specified place. The payment for killing and disposing of the body is several silver bars attached to the body.
“Monday’s child is fair of face, Tuesday’s child is full of grace, Wednesday’s child is full of woe, Thursday’s child has far to go.”
Welcome to the film version of “Wednesday’s child”. For the conclusion of the ‘Batman’ trilogy from writer/director Christopher Nolan, The Dark Knight Rises is first and foremost, filled with woe. It’s a stunning achievement in filmmaking, with incredible visuals, excellent action sequences, superb performances from its lead actors and a score that surrounds and envelops the audience, drawing them into the story being told.