Actors all want to be musicians, musicians all want to be actors, and comedians are usually content to be miserable neurotics. The advantage of working out neurosis on stage is that it can be a great training ground for channeling emotion in front of an audience who aren’t shy about giving you instant feedback. In his autobiography, “Born Standing Up,” Steve Martin expounds on the idea of how his stand-up days helped mold him into the actor, writer, and musician he is today. That got me thinking about other stand-ups who’ve turned out brilliant acting performances, and can claim to be Actors with a capital A.
In an entertainment landscape overflowing with programming, why are we inundated with reboots, remakes and reimagings? It’s because we find solace in the familiar.